Blog

Queering Perfectionism

Queering Perfectionism

Part of my perfectionism manifests as People-Pleasing: habitually ignoring or bending my needs in order to fulfill the needs of others. This has become problematic for me in that over time my sense of self-worth has become attached to how well I’m fulfilling the needs...

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living in london

living in london

london is walking feet on pavement muscles toned, habits forming. anything needed? my feet get me there, my feet and my breath, breathing in on a count of five, exhaling on a count of six. the sky the sky is shaped by brick and planted trees it catches you when you...

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new year, same you, same wall of sand

new year, same you, same wall of sand

cheers to you and this new year we share, my friend. oh i see you’ve pulled your hat around your ears and a groan is surfacing from the very depths of your soul yeah, me too hope is fucking hard right now, eh? yeah, this is hard this is hard. its ok that the new year...

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A Bit About Me

Caitlin, a young white woman with dark brown hair, wears a blue shirt and is seated at a wood table. She is smiling and rolling dice onto the table.

Hi, I’m Caitlin, pronouns she/her and they/them. I’m a teacher and an artist, gathering wisdom on how we can build nourishing, sustainable creative lives in the midst of a white supremecist capitalist patriarchy.

I’m a white, queer, American theatre educator and practitioner, as well as the co-founder and Artistic Managing Director of Enso Theatre Ensemble based out of Portland, Oregon. I’ve taught, directed, and performed with a variety of companies in the U.S., including the Utah Shakespeare Festival, the Ashland New Plays Festival, Third Rail Mentorship Company, and Enso Theatre Ensemble.

I'm back in the U.S. after completing my MFA in Actor Training and Coaching at The Royal Central School of Speech and Drama in London. While there, I researched socio-cultural contributors to student burnout in actor training, focusing on scarcity mindset and the Human Giver Syndrome framework, as articulated by Kate Manne and Emily and Amelia Nagoski. I argued for the integration of a 'love ethic' in higher education actor training as one possible response to the pervasiveness of student burnout. I also taught devising and resiliency skills to B.A. acting students as part of a class called 'Performing the Self' at Rose Bruford College.

My work intentionally straddles the boundary between creativity as an art form, and creativity as a therapeutic practice. Supporting my ability to traverse this boundary with care and responsibility is my 10+ year mindfulness practice. This includes years of self-study, as well as a 6-month yoga teacher training at Yoga Refuge, and the Mindfulness for Youth-Serving Professionals course with Peace in Schools. I also hold a certificate in Mental Health First Aid.

Outside the theatre, I'm an avid lover of table-top role-playing games like Dungeons and Dragons, tea drinking, ritual, and history, and enjoy long walks through the forests of the Pacific Northwest.

CONTACT

caitlinlushington@gmail.com

I work and live on the unceded lands of the Clackamas people, the Confederated Tribes of Siletz Indians, the Confederated Tribes of Grand Ronde, and the Cayuse, Umatilla, and Walla Walla people, known by its colonial name of Portland, OR.

© 2022 Caitlin Lushington

Rest & Love in Creative Living

Let's chat! In this email "newsletter," I respond to your questions on finding sustainability and creative fulfillment in our wild and challenging industry. I'll also send along stories, musings, and other bits of inspiration. Submit your questions to caitlinlushington@gmail.com.